SAT FEB 25, 2023 10:00 PM James Baldwin Abroad Program $8.00 (member) ; $13.00 (general admission) Los Feliz 3 | ‘James Baldwin On Film: A Tribute’ Checking Event Status... *This is an RSVP which means first come first served. This RSVP does not guarantee a seat. Not a Member? Join Today. Already a Member? Be sure you are logged in to your account. Your RSVP is being held for 1 minute, please select the quantity and fill out your contact info to complete the RSVP First Name Last Name Email Quantity Subscribe to our newsletter FINISH
ABOUT THE PROGRAM: JAMES BALDWIN: FROM ANOTHER PLACE, 1973, SEDAT PAKAY, 12 MINUTES, JANUS FILMS, TURKEY Sedat Pakay was a Turkish photographer and filmmaker who specialized in portraits of artists, including Andy Warhol, Gordon Parks, Mark Rothko, and many others. Shot in Istanbul – where Baldwin lived off and on throughout the 1960s – JAMES BALDWIN: FROM ANOTHER PLACE finds the author in a reflective mood, discussing his work, sexuality, and complex feelings about the United States. Preserved by the Yale Film Archive with support from the National Film Preservation Foundation. New Restoration. A Cinema Conservancy Release. MEETING THE MAN: JAMES BALDWIN IN PARIS, 1971, TERENCE DIXON, 26 MINUTES, JANUS FILMS, UK Returning to Paris, where he first moved (or escaped to) in 1948, James Baldwin visits the Place de la Bastille in the company of white British filmmaker Terence Dixon to discuss the contradictory manner in which revolutions (French, Colonial, and Black American) are portrayed and considered. Sparring verbally with Dixon – to whom he could issue a knockout intellectual blow at any moment – Baldwin once again proves himself to be the great thinker of modern times. Picture and audio restoration by Mark Rance, Watchmaker Films, London. New Restoration. Released by The Film Desk. BALDWIN’S N*****, 1968, HORACE OVÉ, 46 MINUTES, JANUS FILMS, UK In this riveting short documentary by pioneering Trinidadian-British filmmaker Horace Ové, James Baldwin and comedian-activist Dick Gregory speak to a group of radical West Indian students in London about everything from the state of the civil rights movement to the perils of false consciousness. The provocative title, drawn from Baldwin’s words, refers to one of the painful realities of Black American identity: that even his name conjures a history of slavery. Restoration courtesy of the British Film Institute. New Restoration.