FRI AUG 2, 2024 7:00 PM GOODBYE, DRAGON INN $15.00 (members-only) Ticket prices include a $2.00 online booking fee. Egyptian Theatre | Q&A with filmmaker Tsai Ming-liang and actor Lee Kang-sheng. Moderated by Peter Debruge. ‘Tsai Ming-liang: An American Cinematheque Retrospective’ This program is made possible by the Spotlight Taiwan grant from the Ministry of Culture of the Republic of China (Taiwan), with additional support provided by the Taiwan Academy of the Economic and Cultural Office in Los Angeles. Not a Member? Join Today. Already a Member? Be sure you are logged in to your account. Checking Event Status... *This is an RSVP which means first come first served. This RSVP does not guarantee a seat. Not a Member? Join Today. Already a Member? Be sure you are logged in to your account. Your RSVP is being held for 1 minute, please select the quantity and fill out your contact info to complete the RSVP First Name Last Name Email Quantity Subscribe to our newsletter FINISH
ABOUT THE FILM: In Mandarin with English subtitles. Like the Royal Theater in THE LAST PICTURE SHOW and the title movie house in Cinema Paradiso, the Fu-Ho is shutting down for good. The Fu-Ho’s valedictory screening is King Hu’s 1967 wuxia epic DRAGON INN, playing to a motley smattering of spectators. The standard grievances persist: patrons snack noisily and remove their shoes, treating this temple of cinema like their living room. The sense that moviegoing as a communal experience is slipping away takes on a powerful and painful resonance. Yet Tsai Ming-liang’s GOODBYE, DRAGON INN is too multifaceted to collapse into a simple valentine to the age of pre-VOD cinephilia. A minimalist where King Hu was a maximalist, preferring long, static shots and sparse use of dialogue, Tsai rises to the narrative challenges he sets for himself and offers the slyest, most delicate of character arcs (the manager, a woman with an iron brace on her leg, embarks on a torturous odyssey to deliver food to the projectionist, played by Lee Kang-sheng). By the time the possibility arises that the theater is haunted, we’ve already identified it as a space outside of time—indeed, two stars of Hu’s original opus, Miao Tien and Shih Chun, watch their younger selves with tears in their eyes, past and present commingling harmoniously and poignantly. FORMAT: DCP DISTRIBUTOR: Kino Lorber COUNTRY: Taiwan