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American Cinematheque at the Aero Theatre Presents...
Movies on the Big Screen Since 1940!
1328 Montana Avenue at 14th Street in Santa Monica

Click to print Page 1 or Page 2 or Full Text of an March 2007 Calendar!
Series programmed by: Gwen Deglise.

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SOLD OUT SCREENINGS: There will be a waiting line for Sold Out screenings. Tickets often become available at the door the night of an event.

Sold out programs will be indicated here if sold out 24 hours in advance of screening date.

All guests are subject to availability. The Cinematheque will offer a refund due to guest cancellations only IF the refund transaction is complete PRIOR to the start of the show.



Tickets are $9 general admission unless noted otherwise.
(Aero by series)
(Aero by date)
(Egyptian by series)
(Egyptian by date)
24-Hour Information: 323.466.FILM
Contact Us
The American Cinematheque is a non-profit 501 (C) (3) organization.
The Film Programs of the American Cinematheque are presented at the newly re-opened and renovated Aero Theatre at 1328 Montana Avenue in Santa Monica and at the magnificently renovated, historic 1922 Grauman's Hollywood Egyptian Theatre. Located at 6712 Hollywood Boulevard.
Photo Credit: Barry Gerber. Aero Theatre (c) 2004.

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<<< March 2007 >>>

Special One Night Events in March:




Sundays in March at 5:00 PM

OUR DAILY BREAD (UNSER TÄGLICH BROT), 2005, First Run/Icarus Films, 92 min. Dir. Nikolaus Geyrhalter’s amazing film shows the places where food is produced: surreal landscapes plasticized and optimized for tractors and agricultural machinery, clean rooms in cool industrial buildings designed to ensure logistic efficiency, machines that require uniform materials for smooth processing. What might look like something from the world of science fiction is reality. Our food is produced in spectacular spaces which are seldom seen. There’s little space for humans here. OUR DAILY BREAD shows the industrial production of food as a reflection of our society’s values: plenty of everything, made quickly and simply by a specialized few. Dispensing with commentary and explanatory interviews, the film unfolds on the screen like a disturbing dream: a detailed feast of images, an insistent gaze, accompanied by whirring, clattering, booming, slurping, the machines’ hydraulic breathing—only the screeching of chickens is louder. "Superb! The film’s formal elegance, moral underpinning and intellectually stimulating point of view also make it essential. Takes us inside worlds of wonder and of terror." – Manohla Dargis, New York Times

Sunday, March 4 – 5:00 PM

Sunday, March 11 – 5:00 PM

Sunday, March 18 – 5:00 PM

Sunday, March 25 – 5:00 PM




Wednesday, March 7 – 7:30 PM

Overlook And Underrated:

THE FRIENDS OF EDDIE COYLE, 1973, Paramount, 102 min. Director Peter Yates (BULLITT) adapts George V. Higgins’ brilliant slice of Boston low life crime novel. Robert Mitchum is at his finest as streetwise Eddie Coyle, a blue collar fence squeezed between the Feds and his hoodlum cohorts, all the while trying to support his family. Cynical young cop Richard Jordan, hep gun dealer Steven Keats, bank robber Alex Rocco and sociopathic bartender Peter Boyle all use Eddie in one way or another for their own ends. And Eddie plays all ends against the middle, trying to survive and pick up a little change on the side. Gritty and grim, shot completely on Boston locations and full of some of the most wonderfully pungent dialogue this side of GOODFELLAS. NOT ON DVD.

Thursday, March 8 – 7:30 PM
Overlook And Underrated - Dalton Trumbo Double Feature:

LONELY ARE THE BRAVE, 1962, Universal, 107 min. David Miller helmed screenwriter Dalton Trumbo’s mournful masterpiece, a hymn to rugged individualism and freedom slowly being strangled to death by voracious urban development. Kirk Douglas, a Korean war vet, is a footloose cowboy who lives most of his life under the stars, going from job to job, and not adverse to cutting his way through barbwire fences when they get in his way. His uncompromising spirit is severely challenged when he breaks jail after a minor offense, and the entire county’s police force tries to recapture him before he can leave the territory. Walter Matthau is the pursuing sheriff, a thoughtful man with a growing, begrudging admiration for his fugitive, and Gena Rowlands is Douglas’ faithful friend, a woman who fears the world will sooner or later crush him. NOT ON DVD.

COWBOY, 1958, Sony Repertory, 92 min. Delmer Daves directed this lesser known, realistic western starring Glenn Ford as a broke, shorthanded cattle drive boss who has to take on an inexperienced hotel clerk (Jack Lemmon) as a drover and financial partner. Western cliches are discarded, with characters particularly well-drawn, including Brian Donlevy as an ill-fated ex-marshall who joins the drive to leave his disillusion and responsibilities behind him. Although available on DVD, it was compromised by a pan-and-scan transfer – seeing it on the big screen is the only way to truly appreciate Charles Lawton, Jr.’s evocative widescreen cinematography. With a screenplay penned by Dalton Trumbo and Edmund North. Co-starring Anna Kashfi, Dick York, Richard Jaeckel, King Donovan.